![the [blank] garden](https://theblankgarden.files.wordpress.com/2019/02/cropped-lucas-cranach-the-younger-6.png)
Dear Carmen, In Nada, tr. Edith Grossman (2007. Original: Nada, 1944), we have a labyrinth of haunted characters confined in a haunting house in a city haunted…… Read more “Impossible to get out of it”
Tag: Modern Classics
What if mothers refused to deny their womanhood
Dear Sibilla, A Woman, tr. Rosalind Delmar (1980. Original: Una donna, 1906) is a disturbing novella where rape, depression, suicide, adultery, and domestic violence are packed in…… Read more “What if mothers refused to deny their womanhood”
And she listened to the pounding of her heart
Dear Lydia, From the beginning, we already know that we are in for a train wreck with Sofia Petrovna (1994, translated by Aline Worth, emended by Eliza…… Read more “And she listened to the pounding of her heart”
My name, here, is the name of my fracture
Dear Albertine, Astragal (1965) opens with a leap into the sky, from one kind of prison to another – but our protagonist doesn’t know it yet. The…… Read more “My name, here, is the name of my fracture”
I shall have snow on my glassy fingers,
Dear Emily, Somewhere on the threshold of a novel and a prose poem, we have The Shutter of Snow (1930). When the book starts, we are told of…… Read more “I shall have snow on my glassy fingers,”
I have tried to be honest with you,
Dear Penelope, The Pumpkin Eater (1962) is a disillusioned account of a woman’s emotional collapse, told from the fog of self-delusion and depression in which her mind seems…… Read more “I have tried to be honest with you,”
It takes one word,
Dear Natalia, In Family Lexicon, tr. Jenny McPhee (2017. Original: Lessico famigliare, 1963), we have the impression of having been accepted as guests at your family’s dinner table: as we…… Read more “It takes one word,”
Sucked into the soft, light-filled sky
Tsushima-san, In Territory of Light, tr. Geraldine Harcourt (2018. Original: 光の領分, Hikari no ryōbun, 1979), you throw your protagonist in a room flooded from all corners with a harsh, shifting…… Read more “Sucked into the soft, light-filled sky”
Take her away and I’m half of whatever we are
Dear Dorothy, Cassandra at the Wedding (1962) is a nuanced, finely observed character study and comedy of manners, full of a dark, twisted sense of humour, which can…… Read more “Take her away and I’m half of whatever we are”
Kindness and lies are worth a thousand truths
Dear Henry, The Heart of the Matter (1948) is a book about a man caught in the vortex of a moral crisis – and, ultimately, torn apart and…… Read more “Kindness and lies are worth a thousand truths”
Notes heard by no one reverberating against nothing
Dear Robert, Intimate Ties, tr. Peter Wortsman (2019. Original: Vereinigungen, 1911) comprises two novellas centred on repressed sexuality, taboo, and female desire. Both content and narrative style…… Read more “Notes heard by no one reverberating against nothing”
I reach for it and reach for it, and it isn’t there
Dear Richard, The Easter Parade (1976) is inhabited by characters who are trapped in self-delusion and false appearances, constantly parading the lives they think they should be living.…… Read more “I reach for it and reach for it, and it isn’t there”
One’s prime is elusive
Dear Muriel, In The Prime of Miss Jean Brodie (1961), there is something in the eponymous protagonist that repels us, but there is also something that strongly…… Read more “One’s prime is elusive”
Perhaps freedom has no meaning
Dear Iris, The Unicorn (1963) is a tale of imprisonment in a shared fantasy, where the cages, rotating on a blank axle, are full of longing. When…… Read more “Perhaps freedom has no meaning”
I am the sun and moon and forever hungry
Three poems by Audre Lorde, Form the book The Black Unicorn (1978): * Solstice We forgot to water the plantain shoots when our houses were full of…… Read more “I am the sun and moon and forever hungry”
Her body seemed outside her
Dear Dorothy, Pilgrimage is a sequence of thirteen semi-autobiographical novels, published between 1915 and 1967, following the life of our protagonist, Miriam Henderson, rendered as a collection…… Read more “Her body seemed outside her”
We took everything upon ourselves
Dear Sophie, What I found most interesting in the book The White Rose (1952) were the leaflets you produced and distributed, together with your brother and a group…… Read more “We took everything upon ourselves”
You’ve stayed where you were
Dear Agatha, Absent in the Spring (1944) is a character study and a psychological exploration of self-denial, crossed through by a growing sense of unease at each…… Read more “You’ve stayed where you were”
