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Dear Gamel, One Way of Love – ways of love, one-way love, love’s way, way too much love, on one’s way to love. What am I to…… Read more “Some strange and fundamental innocence”
Tag: Modern Classics
The salvage of memory
Dear Dorothy, Can one violate a memory by trying too hard to remain loyal to it? At the beginning of your novella Olivia (1949), you offer us…… Read more “The salvage of memory”
Appearances, she knew now, had a way sometimes of not fitting facts
Dear Nella, Passing (1929) is a book about being labelled, being defined by other people based on what they see (and on the prejudices they carry). It…… Read more “Appearances, she knew now, had a way sometimes of not fitting facts”
A confused consciousness of untouched treasures
Dear André, The Immoralist, tr. Dorothy Bussy (1930. Original: L’Immoraliste ,1902) is framed as your protagonist’s confession, as he tells the tale of his moral downfall to…… Read more “A confused consciousness of untouched treasures”
Like an image made of snow
Dear Edith, In The Age of Innocence (1920), you manage to do, on the level of writing, the same thing you set out to do on the…… Read more “Like an image made of snow”
The alphabet of my childhood
Dear Hella, Running just beneath the nostalgic waters of The Black Lake (tr. Ina Rilke, 2012. Original: Oeroeg, 1948), there is a disturbing current of tainted innocence: at…… Read more “The alphabet of my childhood”
What you call sin I call the great spirit of love
Dear Christa, This story seems to have had many lives. It started as a play, first performed in 1930, in Leipzig, as Ritter Nérestan (“Knight Nérestan”), and…… Read more “What you call sin I call the great spirit of love”
You’re neither unnatural, nor abominable, nor mad
Dear John, Is The Well of Loneliness (1928) the most depressing queer novel ever written? Judging by its contenders in early twentieth-century fiction, it can be tough to…… Read more “You’re neither unnatural, nor abominable, nor mad”
The most wonderful thing in the world must be to be a childless widow
Dear Elizabeth, Irony is your plaything in Diary of a Provincial Lady (1930), to the point where it starts to be slightly subversive. Written as a series…… Read more “The most wonderful thing in the world must be to be a childless widow”
Impossible to get out of it
Dear Carmen, In Nada, tr. Edith Grossman (2007. Original: Nada, 1944), we have a labyrinth of haunted characters confined in a haunting house in a city haunted…… Read more “Impossible to get out of it”
What if mothers refused to deny their womanhood
Dear Sibilla, A Woman, tr. Rosalind Delmar (1980. Original: Una donna, 1906) is a disturbing novella where rape, depression, suicide, adultery, and domestic violence are packed in…… Read more “What if mothers refused to deny their womanhood”
And she listened to the pounding of her heart
Dear Lydia, From the beginning, we already know that we are in for a train wreck with Sofia Petrovna (1994, translated by Aline Worth, emended by Eliza…… Read more “And she listened to the pounding of her heart”
My name, here, is the name of my fracture
Dear Albertine, Astragal (1965) opens with a leap into the sky, from one kind of prison to another – but our protagonist doesn’t know it yet. The…… Read more “My name, here, is the name of my fracture”
I shall have snow on my glassy fingers,
Dear Emily, Somewhere on the threshold of a novel and a prose poem, we have The Shutter of Snow (1930). When the book starts, we are told of…… Read more “I shall have snow on my glassy fingers,”
I have tried to be honest with you,
Dear Penelope, The Pumpkin Eater (1962) is a disillusioned account of a woman’s emotional collapse, told from the fog of self-delusion and depression in which her mind seems…… Read more “I have tried to be honest with you,”
It takes one word,
Dear Natalia, In Family Lexicon, tr. Jenny McPhee (2017. Original: Lessico famigliare, 1963), we have the impression of having been accepted as guests at your family’s dinner table: as we…… Read more “It takes one word,”
Sucked into the soft, light-filled sky
Tsushima-san, In Territory of Light, tr. Geraldine Harcourt (2018. Original: 光の領分, Hikari no ryōbun, 1979), you throw your protagonist in a room flooded from all corners with a harsh, shifting…… Read more “Sucked into the soft, light-filled sky”
Take her away and I’m half of whatever we are
Dear Dorothy, Cassandra at the Wedding (1962) is a nuanced, finely observed character study and comedy of manners, full of a dark, twisted sense of humour, which can…… Read more “Take her away and I’m half of whatever we are”
