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Dear Ricarda, The Last Summer (2016, tr. Jamie Bulloch. Original: Der letzte Sommer, 1910) feels like a treasure chest full of letters. As we read through them,…… Read more “Everything, by virtue of coming into existence, is doomed to pass”
Category: Scarlet Letters
It’s like a bridge leading you to the other side
Dear Ru Zhijuan, The Path through the Grassland (tr. Yu Fanqin. Original: 草原上的小路, 1979) begins and ends on a vast piece of uncultivated land, crossed by a…… Read more “It’s like a bridge leading you to the other side”
Their movement through life is invisible
Dear Jokha, Celestial Bodies (2018, tr. Marilyn Booth. Original: Sayyidat al-Qamar, 2010) revolves around a family and their household members, in an Omani village, in the late 20th…… Read more “Their movement through life is invisible”
Her compelling mouth, the scent of lavender and cigarette smoke
Dear Dola, Set in Amsterdam on the eve of World War II, The Tree and the Vine (2020, tr. Kristen Gehrman. Original: De thuiswacht, 1954*) is narrated…… Read more “Her compelling mouth, the scent of lavender and cigarette smoke”
My soul, mad as a moth,
Dear Auta, The poems in your Horto (1900, ‘Garden’ or ‘Orchard’) address the topics of death, idealized love, childhood, romantic loss, spirituality, and the sublimation of suffering…… Read more “My soul, mad as a moth,”
Oh, stag of mine, darling stag, my one and only
Dear Ariana, Die, My Love (2017, tr. Sarah Moses & Carolina Orloff. Original: Matate, Amor, 2012) is all about voice: a short musical piece of sustained rage,…… Read more “Oh, stag of mine, darling stag, my one and only”
It isn’t a circle–it is simply a long line
Dear Lorraine, I love how inconclusive your portrait of a 1950’s working-class African American family is in A Raisin in the Sun (1959) – the way it…… Read more “It isn’t a circle–it is simply a long line”
We are speechless animals letting ourselves be destroyed
Dear Katherine, In “Pale Horse, Pale Rider” (1939), the eponymous piece from your collection of three novellas, we follow twenty-four-year-old Miranda, as she falls ill during the…… Read more “We are speechless animals letting ourselves be destroyed”
Something that was unassailable and inviolable
Dear Netty, The Seventh Cross (tr. Margo Bettauer Dembo, 2018. Original: Das siebte Kreuz, 1942) starts and ends at the same point – but, in the span…… Read more “Something that was unassailable and inviolable”
How can you lose something that’s growing within you, like a tree?
Dear Karin, Crisis (tr. Amanda Doxtater, 2020. Original: Kris, 1934) is a book that resists being defined, a book that resists solidifying into a unified form of…… Read more “How can you lose something that’s growing within you, like a tree?”
Not everyone is true enough to hear the truth,
Dear Karin, Reading Kallocain (2019, tr. David McDuff. Original: 1940) feels very much like taking a small dose of Kallocain: it grows on us, building from the…… Read more “Not everyone is true enough to hear the truth,”
Ships at a distance have every man’s wish on board
Dear Zora, Their Eyes Were Watching God (1937) follows a woman’s emotional journey which reads almost like an odyssey – a series of incidents through which the…… Read more “Ships at a distance have every man’s wish on board”
No human being ever believed she was the right person in the right place
Dear Charlotte, A Struggle for Fame (1883) explores the way social judgements based on nationality, class, and gender give shape to one’s identity and one’s opportunities in…… Read more “No human being ever believed she was the right person in the right place”
Some strange and fundamental innocence
Dear Gamel, One Way of Love – ways of love, one-way love, love’s way, way too much love, on one’s way to love. What am I to…… Read more “Some strange and fundamental innocence”
The salvage of memory
Dear Dorothy, Can one violate a memory by trying too hard to remain loyal to it? At the beginning of your novella Olivia (1949), you offer us…… Read more “The salvage of memory”
Appearances, she knew now, had a way sometimes of not fitting facts
Dear Nella, Passing (1929) is a book about being labelled, being defined by other people based on what they see (and on the prejudices they carry). It…… Read more “Appearances, she knew now, had a way sometimes of not fitting facts”
The tough game of unspeakable interests
Dear Carmen, In A Luta (‘The Struggle’, 1909), we have the unfolding of multiple struggles: Celina’s existential dilemma, as she is torn between her need for social…… Read more “The tough game of unspeakable interests”
Fame and glory, insatiable libertines,
Dear Délia, I spent the past couple of weeks immersed in three of your recently rediscovered novels: Aurélia (1883), Lésbia (1890), and Celeste (1893). In all of…… Read more “Fame and glory, insatiable libertines,”
